The Palin propaganda project

A “two-hour-long, sweeping epic,” commissioned by Sarah “Half-term” Palin, is set to premiere in June. In Iowa.  The film project tells us two things we already knew, or should have: 1.) Palin has a monstrous ego and 2.) She’s running for president.

After a brief interlude featuring some old Palin family home video footage, Act 1 begins with Sarah as narrator, recalling the Exxon Valdez spill in 1989, when she was a young pregnant wife married to a blue-collar husband working on the North Slope.

“I hadn’t yet envisioned running for elected office,” Palin says in the audio taken from “Going Rogue,” as images of the environmental disaster unfold on the screen. “But looking back, I could see that tragedy planted a seed in me. If I ever had a chance to serve my fellow citizens, I would do so.”

It gets worse, naturally.

“The Undefeated” eschews less flattering topics, such as the Troopergate saga — which had little effect on the VP campaign but left a lastingly negative impression of Palin in the eyes of many Alaskans — and her unimpressive series of interviews with Katie Couric.

Bannon dramatizes the theme of Palin’s persecution at the hands of her enemies in the media and both political parties, a notion the former governor has long embraced. Images of lions killing a zebra and a dead medieval soldier with an arrow sticking in his back dramatize the ethics complaints filed by obscure Alaskan citizens, which Palin has cited as the primary reason for her sudden resignation in July of 2009.

The Palin crowd responds favorably to propaganda, so expect this Riefenstahl-like portrait to benefit the vindictive reality TV star.

Iran has a culture minister?

When he’s not keeping silent on his regime’s jailing of artists who support the country’s reform movement, Iran’s deputy culture minister Javad Shamaqdari is defending directors who claim sympathy to Adolf Hitler.

Director Lars von Trier has since apologized for his “unintelligent, ambiguous and needlessly hurtful” remarks about the Fuhrer, which got him banned from the Cannes Film Festival award ceremony (some punishment). Shamaqdari sent a letter blasting the decision by festival organizers, mocking their claim of defending free speech “a meaningless slogan.”

Meanwhile, a film by an Iranian director, Mohammad Rasoulof — sentenced to six years in jail and banned from filmmaking for 20 years on charges that included “making propaganda” against the ruling system — won a prize at Cannes.

Like von Trier, he won’t be at the awards ceremony.