“Idiocracy” was uneven at best, but Mike Judge’s 2006 s—-e offered some inspired observations about the consequences of pandering to the dim (i.e., manufactured outrage at The New Yorker cover):
“Idiocracy” was uneven at best, but Mike Judge’s 2006 s—-e offered some inspired observations about the consequences of pandering to the dim (i.e., manufactured outrage at The New Yorker cover):
